Saturday, January 12, 2019 at 11 PM – 2 AM
The Keep
110 Gorham Street, Lowell, Massachusetts 01852
Phibonacci and Steppo will be playing some Garage, 2-step, and house at the Keep in Lowell, MA, Saturday, January 12th. Come out, dance, have some whiskey, scotch, fancy cocktails and craft beers.
11pm-2am (Come before 10pm for food)
Saturday, January 12, 2019 at 11 PM – 2 AM
The Keep
110 Gorham Street, Lowell, Massachusetts 01852
Check out our Gofundmepage and get in on the Good Deeds early 🎅
www.gofundme.com/gooddeeddjschristmas
It is that time of year again where we as a DJ community try and get on Santa Claus’s nice list and what better way than giving back.
For the third year in a row we will be raising money for Cumberland Happy Baskets and this year adding Toys for Tots. We will have 48 hours of continuous music, promoter discussion and some other shenanigans.
The first 24 hours will he hosted by Hennessey Sound Design and the second 24 will be hosted by Supreme Sound & Lighting.
☯ SUBTERRA ENT & THE GREEN ROOM PRESENT ☯
🎚 ♫ DRUM & BASS vs. BASSLINE ♫ 🎚
3 ROOMS OF BODY SHAKING DANCE MUSIC
DID SOMEONE SAY FREE BBQ?
1st Plate Free with Entry ($5 per plate after)
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SATURDAY JUNE 23, 2018
12PM-8PM // 21+ // $10 PRESALE // $15 DOOR
PLATFORMS DANCE CLUB
165 POE ST PROVIDENCE, RI
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💿 JUMP UP STAGE 💿
Cyberpunk (MA)
DJ Dig-Doug (MA)
Good Tymez (ME)
DJ Bookum (MA)
Salacious Krum- (1/2 of Bounty Killaz) (NY)
Twist of Fate (NH)
Zach SantaBarbara (CT)
🎤 (MC) Elijah Divine (MA) 🎤
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💿 BASSLINE STAGE 💿
Mista Manc (RI)
G Notorious (MA)
Shva (MA)
BeatJunkie (MA)
/illikiwi (MA)
Illdo Raggins (NH)
Dj Leucistic (RI)
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💿 THE BADLANDS 💿
Elzwerth (CT)
Furious D&B (MA)
Dj MnM (MA)
Treeman (MA)
Massappeal (MA)
Eno aka ?confusion? (MA)
Absoloot (NH)
🎤 (MC) Josiah Scribes (MA) 🎤
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Recorded at 2 Step Tuesdays at Tiki Lounge in Pittsburgh PA USA on May 15th 2018
Featuring tracks by: Soulecta, Nyta, Moony & Movement, Bromley and Star One, Maleek Berry, Seyi Shay.
This isn’t even a debate
Patrick Hinton – Mixmag.com
There’s an inclination among the human race to muse on difficult questions. What’s the meaning of life? Would you rather? Should I go out for the third night in a row despite being four figures overdrawn and bordering on coma-levels of tiredness? All are the subject of deep thought.
In the underground dance scene this urge translates into a toss-up between the two leading genres. Pick one: house or techno? They’re the most popular styles, and there’s a weighty crossover in the fan bases. It’s a query that can be posed absentmindedly and then spiral out into a brain wracking analysis that has discussers looking like Charlie Kelly.
House is uplifting, soulful, but techno is gritty, powerful, and each can be left feeling lacklustre or overbearing in comparison, depending on your varying mood. Committing absolutely to one and sacrificing the other for eternity is tough. If this is a question that has ever plagued your consciousness then have no fear because I’ve solved it. Don’t worry, it’s not tech-house, which is neither here nor there. The answer to deciding your favourite in the near-existential question of “house or techno?” is: UK garage, which is actually the best genre ever.
Kerry Trainor, formerly of Vimeo, will lead the beleaguered service. Founder and outgoing CEO Alex Ljung predicts a “strong, independent future for the company.”
The SoundCloud death watch has ended.
The struggling digital music service today secured a fresh round of funding that assures SoundCloud will remain independent, even as a new executive team takes over to steer the service into the future.
The Raine Group, a boutique merchant bank, joined with the Singapore-based investment company Temasek, in leading a $169.5 million investment round that infuses SoundCloud with much-needed cash.
Former Vimeo CEO Kerry Trainor succeeds founder Alex Ljung as chief executive, and Michael Weissman, another former executive at the video platform, was named SoundCloud’s chief operating officer.
“All of this together — the capital, the capital partners — with Kerry and Mike joining our team — it puts our company in a really great position to stay strong and remain independent,” Ljung said in an interview with Billboard. “We see a strong, independent future for the company.”
